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The new iconoclasts.From art of a new reality to conceptual art in Colombia, 1961-1975

U. de los Andes
Mira otros U. de los Andes articulos

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The new iconoclasts.From art of a new reality to conceptual art in Colombia, 1961-1975

U. de los Andes
Mira otros U. de los Andes articulos

COP $ 130.000
COP $ 130.000

Disponibilidad: Disponible


Autor: Gina McDaniel Tarver

Editorial: U. de los Andes

U. de los Andes

Año de Edición: 2016

2016

Idioma: Español

Formato: Libro Impreso

Número de páginas: 342

ISBN: 9789587742909

9789587742909
During the 1960s and early 1970s, a handful of young Colombian artists, including Feliza Bursztyn, Beatriz González, Bernardo Salcedo, Álvaro Barrios, and Antonio Caro, boldly transgressed artistic conventions to create art that critics labeled New Realism, Pop, Environments, and Conceptual Art. T...
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SKU: 276479

Producto creado el 21/04/2016

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During the 1960s and early 1970s, a handful of young Colombian artists, including Feliza Bursztyn, Beatriz González, Bernardo Salcedo, Álvaro Barrios, and Antonio Caro, boldly transgressed artistic conventions to create art that critics labeled New Realism, Pop, Environments, and Conceptual Art. They achieved success with the crucial support of national and local art institutions. While critics and curators promoted this striking new work as international, it was firmly rooted in national artistic, social, and political reality. 
The New Iconoclasts: From Art of a New Reality to Conceptual Art in Colombia, 1961-1975 is a nuanced examination of this transgressive art with regard to its relationship with institutional goals and structures. Relying on extensive archival research and interviews with artists, author Gina McDaniel Tarver reveals at the root of contemporary Colombian art an ambivalent, often contradictory, and highly productive relationship between artists and institutions and between local and international aesthetics and social concerns. 

Información adicional

Información adicional

Editor / MarcaU. de los Andes
FacultadFacultad de Artes y Humanidades
Año de Edición2016
Número de Páginas342
Idioma(s)Español
TerminadoRustica
Alto y ancho19 x 22 cm
Peso0.5200
Tipo Productolibro
Autor

Gina McDaniel Tarver

información no disponible.

Tabla de Contenido


List Of Figures 

Acknowledgements

Introduction

Intrepid Iconoclasts 

Coming to Terms with Similarities and Differences

Ambitious Institutions and Their Strategies for Development

Tacties from "Underdevelopment" 

Partieipation as a Sign of the Time

Shaping a History 

Chapter. I. Art for a new reality

Junk Art
 
Mina Traba and the Modern Art Museum of Bogotá

Re-recreating Art

The Sajan of Young Artists

Male Junk

Artistic Suicide 

A Venerable Institution in Changing limes 

Competitions and Controversies

A Failed Monument and a "Violent Declaration"

Historical Transgressions 
Chapter 2. The art of expansion

Creating Hysteria 
A Biennial for Colombia 
Space Invaders
An Art of Environments
Light. Sound. Movement
Minimachines
The Basic Elements of Art 
Art Criticism and Art-pia
Closures
Chapter 3. New iconoclasm and international exhlbitions 

The Pile that Became a Mountain
II Coltejer Art Biennial 
An International Graphic Arts Exhibition 
Salcedo and the Center of Art and Communication
 
The Graphic Arts Biennial

III Coltejer Art Biennial 

Systems Art at the Biennial and Beyond

Other Biennials and Obstacles

The Limits of Internationalism

Chapter 4. Text-image works and critical messages

The Puddle that Became a Flood

A Punitive Exhibition 

What the Eye Doesn't See 
A list of Charges
Salon Showdown: The National vs. The Independent

The Art of Critical Recuperation

Bite of the Paper Tigers

Where There's Smoke, There's Marlboro
 
Dide the Galleries 

0uIside the Box

Sweet Nothings 
 
Ambivalence

Conclusion

A new norm?

Reseñas